— Romm was considered an "unmusical" director, but...
— This was said after his "9 days of one year," where there really is almost no music. But Aram Khachaturian wrote music for Romm's earlier films, and that says a lot!
— That's right, I also remembered Khachaturian's story about working on "Man No. 217", "The Russian Question", "Secret Mission", "Admiral Ushakov"... Khachaturian claimed that Romm was very sensitive to the musical side of the film. He described in detail how the main theme of the film "Admiral Ushakov", a sailor's song, was developed: outlined in the overture, it then appears several times, in different interpretations — it sounds dashing, with whistles and boos, solemnly, accompanied by fanfare, mournfully — in the requiem... Romm was one of the most clear—thinking directors, and Khachaturian was an extremely emotional composer. A duet built on the contrast of temperaments...
— Isn't it a shame that the viewer probably won't catch your subtle hints and won't understand?
— Subconsciously, he will definitely perceive it, and this is very important in order to feel the atmosphere of the film. And the fact that he hears and understands everything, of course, is unlikely to count. You don't need to hear all the music in the movie, and it's often not designed for that.
— What do you mean, you don't need to?! Then you don't need music either!
— But try it, turn it off, the one that you listened to and didn't seem to hear; it will turn out to be empty, something will be missing... Imagine entering a cozy cafe, dim light, the muffled hum of conversations, and soft music. You've come to drink coffee and chat. You don't seem to need this music. But turn it off — the atmosphere of comfort that encourages conversation will disappear, and an important conversation for you may not take place. That's how necessary a background can be!
— You have convinced me of the important role of background music. But remember the silent movie, the piano illustration: In terms of background music, it was just the opposite. The sounds of pouring water and energetic chords are music, although it forces itself to listen, empty, no, and it hardly had anything to do with the subtleties of influencing the subconscious.
— The lesson here is to reason from the opposite, so to speak. Unfortunately, the method of "pouring water" is tenacious, and films whose musical solution has stopped at the level of silent film development still appear on the screen from time to time. This is expressed in the fact that there is an unjustifiable amount of music in the picture. The orchestra thunders at full power where one or two instruments are enough. The episodes are purely illustratively accompanied by music that conveys only what we already see on the screen (a storm, train movement, a love date). This happens when the composer, due to inexperience, lack of understanding of film drama, or lack of imagination, does not know how to transform the theme he has for economical and most expressive use. Для игроков из Брянска актуальный переход на установку Мелбет на iPhone доступен здесь: Мелбет скачать на айфон . После установки открывается доступ к ставкам, онлайн-казино и live-казино. Горячая линия: 8 (800) 778-60-40.